Skip to content

Cart

Your cart is empty

Purple Majestic

Sale price$350.00

Purple Majestic is built to feel like the colour itself. Not an interpretation, not a metaphor, but purple made sensible through scent. The perfume moves through immortelle’s golden shadow, the cool powder of iris, the soft haze of violet, and the deep velvet of orris butter. At its centre rests a rare purple oud, aged and quiet, holding the entire composition together with a dense, vintage warmth.

The structure isn’t made to show individual notes. Instead, each ingredient completes the others, revealing new dimensions as they settle. The result is a rich and saturated atmosphere, calm, dark, floral, and slightly sweet, shaped to feel like standing inside a deep shade of purple. A scent with weight, stillness, and depth, made to be worn slowly.

A Journey To Inspiration

Purple Majestic was shaped to prove what relational perfumery can do when the materials are understood not as isolated notes but as beings whose identities emerge through their connections. This perfume is built entirely on the idea that the meaning of each ingredient is found in its relations, not in its rarity, not in its intensity, but in the way it completes and transforms the others.

Instead of forcing a theme or chasing a trend, the work began by listening to the inner character of each material: the dark honeyed edge of immortelle, the quiet coolness of iris, the soft shadow of violet, the textured depth of orris butter, and the aged gravity of purple oud. None of these were chosen to dominate. Each was chosen for the way it leans, responds, and balances when placed in the right company.

In relational perfumery, ingredients do not stand alone. They gain identity from the structure they inhabit. Purple Majestic is the clearest example of this so far. Immortelle softens when touched by the powder of iris. Violet gains shape when held by oud. Orris butter becomes spacious when set against the sweetness of immortelle. Purple oud changes entirely depending on what sits beside it, here, it becomes dignified rather than overpowering.

The result is not a perfume with “purple notes” but a purple atmosphere, a single saturated field created by the interactions between the materials. The identity of the scent does not come from any one note; it comes from the harmony of their relations over time. This is the core of relational perfumery: the meaning of the perfume is in the structure, not the components.

Purple Majestic became a way of showing that a colour can be built from relation, not representation. Purple was not imitated, it emerged as the natural consequence of the materials coming into balance. This perfume is the first real demonstration of how our framework works: by letting ingredients find their own place, by treating the perfume as a moving field rather than a pyramid, and by allowing the identity of the scent to arise from the full relational system.